I walk and draw in the landscape
almost daily. I also take photographs with a digital camera which acts as a
sketchbook. Drawing seems to me
the first step to really seeing and understanding the territory.
To start with I just respond to
the subject but as the work progresses in the studio the ideas and meaning
develop. The work is, to some
extent, about current agricultural practices, but primarily is about the formal
issues of image making. Pictorial structure and the edge of the image offer
exciting scope to explore the
space and scale in a landscape of huge fields. Colour is used in a way that is not
realistic but the sum of colours used is intended to evoke a parallel to the
atmosphere of the subject.
However different those colours are from
reality. Placing one colour
against another I hope to produce the feeling I need to recreate the intensity
of a visual experience. The construction and space within the image is
manipulated away from literality to imply distance, height and mass.
Areas are made huge as a corollary to
industrial farming.
Things placed
on the edge of the image indicate possible side-lining, disappearance,
fragmentation. Large areas of one
colour imply bareness, aridity, erosion.
The paintings lead to
carborundum prints which may in turn develop into other ideas for paintings.
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